| The
instruments |
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| Take-Marimba |
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This instrument with a bamboo keyboard has been
created in 1980 by Makoto YABUKI. It is tuned in the chromatic scale
on more than 4 octaves. We use a bamboo species called "Phyllostacys
Pubescens" which is 5 to 10 cm wide. |
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| Take-Marimba Bass |
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It is the same structure as the Také-Marimba.
To make it, we use bamboos which are 8 to 13 cm wide and it is and it
is tuned in the chromatic scale on 2 octaves. |
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| Maui |
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It looks like a giant Pan flute. We slap on the
open ends of every bamboo pipe closed by its node (" Phyllostachys
Bambousoides" which are 7 to 9 cm wide) with a special flat bass
drumstick. Every pipe has a different length which corresponds to a note.
We find the origins of this instrument in the Pacific Ocean's islands. |
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| Gender |
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It is a bronze metalophone with bamboo
resonators in the style of the Indonesian Gamelan's instruments. This
Gender instrument is tuned in the chromatic scale on more than 2 octaves. |
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| Gender Bass |
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Notes on one octave, it is the Gender's bass part.
We slap on it with a heavy and soft bass drumstick to make a long echo. |
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| Angklung |
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| It is a traditional Indonesian instrument. Two bamboo pipes tuned on
the same note distanced from one octave are hanging in a frame. We play
this instrument by making it to vibrate. We can play with several people,
everyone take one or two notes. |
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| Take-Marimba Archet |
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It is structured as the Také-Marimba but
its percussion keyboard is not used the same way. Every pipe is differently
arranged to be scrubbed with a bow. The sound looks like a flute one. |
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| Jegog |
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In the west Bali Island, there is a musical group
compound by instruments called "Jegog". To make it, we used "Phyllostrachys
Pubescens" bamboos which are 13 to 15 cm wide. The pipe which has
the gravest note G measures 3 m. |
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| Super Maui |
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| To make this instrument, we use the "Phyllostachys Pubescens" bamboo
which is 9 to 11 cm wide. Every bamboo pipe is opened and its nodes are
totally taken away so the sound is much richer than the Maui one. Musicians
use this instrument in choreography. |
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| Slittam |
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This instrument is a communication tool used in
Bali. There is one of this near the door of every house to announce different
informations. Here, we use it tuned on several different notes, and every
musician slap with two sticks to create a poly-rhythmic effect. |
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| Stamp |
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Every musician slaps the bamboo pipe on the ground
to make the grave note and in the same time, he slaps with his other
hand a bamboo blade on the instrument's exterior face to make a shrill
sound. |
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| Octoms |
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| It is bamboo drum with goat skin. Every bamboo's length corresponds to
a note. |
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| Te-Marimba |
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It is one of the detached pipes which compose the
Také-Marimba's keyboard. We take two pipes which correspond to
different notes in each hand and we slap on the wall, or on the ground,
or on other supports. |
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| Balimbin |
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| This instrument finds its origins into tribes from Philippine and Indonesia.
It is a bamboo pipe split in two parts. The sound is similar to jew's-harp
one. |
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| Guiro |
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It looks like an instrument used in Latino-American
music but it is made of bamboo. We play it by scrubbing on its engraved
sides. We can change the note successively by closing the pipe's opening. |
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| Ketcha |
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It is two bamboo tongues that we beat one on the
other one. The sound is very hard and very shrill and we can play complex
poly-rhythmic with several musicians. |
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| Bouchekere |
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Round a bamboo pipe which is 7 to 8 cm wide, we
have attached some wooden pearls (1,5 cm wide) with strings. We play
by making it to turn. |
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| Takettes |
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| It is two bamboo tongues (Kecha) joined by a string. We can make very
quick rhythms like castanets one. |
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| Quena |
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It is a vertical bamboo flute used in the music
of South America (Andes). |
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| Shinobue |
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| It is a transverse bamboo flute used in traditional Japanese music. |
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| Shakuhachi |
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It is a vertical flute used in traditional
Japanese music. We can find its origins in the Buddhism; it was used
during the meditation, and was not considered as a musical instrument. |
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| Takebora |
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| It is bamboo tongues, which make very deep sounds. |
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| Didjeridoo |
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| It is a traditional native Australian instrument made of bamboo. |
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| Pan Flute |
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We make this instrument by putting together bamboo
pipe with a small diameter. The professional East European Pan Flute
is much more sophisticated, but we use an easy way to enable the children
to make this instrument. |
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| Taiko |
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It is a sort of Japanese drum. We used different
diameters and only one face is covered by horse skin. |
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| Odaiko |
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| It is a sort of Japanese drum. Only one face is covered by calf skin.
We put it horizontally on a support which is 2 m tall. |
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| Pandor |
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| It is many frying-pans which have different sizes hanging on a support.
They are tuned and their sound is really clear. |
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| Kuguis |
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| It is some nails hanging with very thin nylon strings. Their sweeping
creates a very high and limpid sound. |
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| Bol Marseillais |
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It is two stainless steel cooking bowls with a handle.
We play it by scrubbing its contour with a stick, as we do with the Tibetan
Bowls. |
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| Shishiodoshi |
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This "object" instrument operates with
water. We find it in the traditional Japanese garden. The water's flow
makes the bamboo pipe hurting a hard support and it creates a sound.
We use a tuned instrument. |
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| Chime tree |
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| This "object" instrument operates with wind. |
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