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August 1997 European workshop on urban fringe zones, Frontignan

Janvier-février 1997 Participation in the Constantini Museum contest, Buenos Aires (Argentina)

Juillet 1998 Participation in the contest for the rehabilitation of the Théâtre des Treize Vents, Montpellier

Septembre 2000 Post-graduate degree in architecture, Montpellier

Octobre 2000 M.C.A.O post-graduate degree, Marseille

Février-mars 2001 Participation in the CIMbéton 5th session and Europan VI contests

27 years old


Garage d'hébergement et de Création d'Art Actuel.

ARCHITECTURE

 

"My father taught me to look towards the sky. I believe that architecture is quite simply this".
Must one kill one's father to make one's way? Son of an architect, Daniel Andersch, who is incidentally Franco-German by his father, wished to become an architect as well. It has taken him no less than three schools, Montpellier, Berlin, and Lisbon, to feel up to the task. To caricaturize, in Germany you draw a line and then decide whether it is in steel or wood...In Portugal, you're asked why you didn't make it red or curved. As for France, not so great: too theoretical. After this tour of European horizons, Daniel Andersch imagined reconverting an old Citroen garage, abandoned for ten years in the heart of Montpellier, into a center for exhibiting and creating today's art.


He illicitly entered the building, an inexhaustible object of real-estate speculation, to observe its pathologies and grasp the layout. These pathologies used to justify destruction. There's a lack of consideration for
neglected things, an absence of recent historical conscience. While the father rehabilitates barns or farms in the Provençal back country, the son examines the industrial past. "I noticed that I enjoyed working with everything bearing a trace of history". In Marseilles, he recently participated in the Europan project, a European contest for the development of the Arenc district, a city limit. " Europan and my diploma at Sarajevo represent the same problematic too often summed up as "tear down and rebuild with pretty facades".
Each place bears the traces of what was there before and they must be taken into account.

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 Daniel Andersch I Jerome Bourgeix I Stéphanie Cavaglia I Chrystale Heraud I

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 Cyrille Martinez I Sarah Saada I Güs Weg Watergang I Théâtre de la Peste